This case takes place in New York and involves the soundtrack to an Oscar-nominated film. The plaintiff in this case worked in film production as a composer. In his free time, the plaintiff also produced music for an independent music label, which made tracks from its artists available for free on the internet. The defendant in this case was a colleague of the plaintiff while both were involved with the production of the soundtrack and background music for a major motion picture. During one scene, the background music was, according to the plaintiff, a song from the plaintiff’s latest album, which the defendant had used without his express permission. An expert in audio forensics/audio engineering was sought to opine on the issue.
Question(s) For Expert Witness
What experience do you have with anti-piracy technology and audio processing?
Expert Witness Response E-005499
I have contributed to the technical and creative production of over 125 motion picture soundtracks. I have current knowledge of anti-piracy technology from supervising the sound on dozens of motion pictures. I also have a knowledge of anti-piracy strategy (including case work I did during my MBA at a large university).
About the author
Joseph O'Neill
Joe has extensive experience in online journalism and technical writing across a range of legal topics, including personal injury, meidcal malpractice, mass torts, consumer litigation, commercial litigation, and more. Joe spent close to six years working at Expert Institute, finishing up his role here as Director of Marketing. He has considerable knowledge across an array of legal topics pertaining to expert witnesses. Currently, Joe servces as Owner and Demand Generation Consultant at LightSail Consulting.
